Loading interactive art...
Loading interactive art...
Klára Hosnedlová is a Czech artist whose practice dissolves the boundaries between embroidery, sculpture, architecture, and performance. Born in 1990 in Uherské Hradiště, she studied at the Academy of Fine Arts in Prague and is currently pursuing doctoral research on the work of Adolf Loos at the Faculty of Fine Arts in Brno. She lives and works in Berlin. Hosnedlová belongs to the first generation of Czech artists to emerge entirely after the fall of communism. Her signature medium — photo-realist embroidery painstakingly stitched in cotton thread over months — transforms photographs into tactile, time-saturated objects that hover between documentation and craft. Her large-scale woven tapestries, some reaching nine meters high, reimagine the architectural forms of Central and Eastern European modernism and Brutalism as sites of collective memory and utopian aspiration. Her institutional momentum has accelerated dramatically: a CHANEL commission at Hamburger Bahnhof in Berlin (2025), solo exhibitions at Kunsthalle Basel and Copenhagen Contemporary, and a forthcoming New Museum commission in New York. White Cube signed her in December 2022, and her debut solo with the gallery — Echo, at White Cube Bermondsey (February 11 – March 29, 2026) — incorporates living reishi mushrooms, sound compositions by Billy Bultheel, and architectural interventions that transform the gallery into an immersive ecosystem. Wallpaper* named her Best Dreamscaper at the 2026 Design Awards.
Hosnedlová is at a critical inflection point before age 36: White Cube representation, a CHANEL institutional commission at Hamburger Bahnhof, a forthcoming New Museum commission, Kunsthalle Basel solo, and a Wallpaper* Design Award. Her labor-intensive embroideries — months per work — create natural scarcity that the market has not yet fully priced in. She sits at the intersection of the craft revival and contemporary installation trends, and her institutional CV is deepening faster than her market has adjusted. The 16th Lyon Biennale inclusion (2022) and White Cube's global infrastructure position her for significant appreciation.
White Cube's debut solo Echo (Feb–Mar 2026) is the immediate opportunity — contact the gallery now. For entry-level pricing, seek smaller embroidered works or works on paper through Kraupa-Tuskany Zeidler (Berlin) or hunt kastner (Prague), which may price below White Cube. Embroidered works are the signature medium and most collectible category. Works from recognized series (Ponytail Parlour, Soap, Nest) carry stronger provenance. Wall-based embroideries offer the best balance of displayability and resale potential.
Installation-scale works incorporating living materials (mushroom installations) are ephemeral and not collectible in the traditional sense — focus on embroideries and tapestries for investment. Auction track record is still thin (one known lot at Sotheby's 2024). With three galleries representing her across different markets, ensure you buy from the gallery that offers the best long-term collector relationship and resale support. Avoid works without proper documentation from one of her representing galleries.
Also Represented By